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The Sycophantic Palestinian Solidarity Movement

December 18, 2013

In the Palestinian Solidarity Movement we really love celebrities – those famous, rather special people who write great books, play musical instruments (drums included) or even just think great thoughts. We like those people to stand up for Palestine and denounce ‘Zionism’, ‘Israeli Colonialism’ and ‘Apartheid.’ We love them – as long as they don’t say what they really think.

Here’s the problem. Celebrities are often famous and successful because they’re clever and independent. Unlike our progressive, dysfunctional activists, who in most cases lives on income support and repeat our ‘party line’, the celebrity is a confident, career-oriented, self-sufficient subject and, because of their capacity to make autonomous decisions, he or she is assertive and thriving . In short, the activist and the celebrity are made of very different stuff – so a collision is inevitable.

Time after time it happens to us in the Palestinian Solidarity Movement. We manage to pull in a great human being, we tell them what to say and they comply. For a while, they call to boycott Israel and, like parrots, they repeat our slogans. But then, against all odds, these damn, self-centred stars start to speak their minds.

Roger Waters is obviously such a celebrity. For the last two years we were so proud of our Pink Floyd comrade rallying for Palestine. For a while, he repeated our slogans, denouncing colonialism and Israeli Apartheid. But then, the inevitable happened. For no obvious reason he told the truth. In an interview on Counterpunch he equated Israel with Nazi Germany and, speaking about Jewish power, he even mentioned the ‘J word’.

Within hours, all hell broke loose. Every Jewish media outlet, including The Guardian unleashed its venom in order to bring Roger to his knees. Rabbis, Holocaust memory merchants and even artists were recruited to join the choir. But guess what? Not one single Palestinian activist stood up for Waters. Neither Electronic Intifada nor Jewish progressive Mondoweiss supported the legendary bassist. Their silence was deafening. The progressive, Cohen Blumenthal also didn’t show any support for the truth teller. Is this a coincidence?

Our sycophantic Solidarity Movement dropped Roger Waters like a stone as we’ve done so many times before because, in our little progressive ghetto, we love celebrities – but not when speak their minds or tell the truth.


Gilad Atzmon was born in Israel in 1963 and had his musical training at the Rubin Academy of Music, Jerusalem (Composition and Jazz). As a multi-instrumentalist he plays Soprano, Alto, Tenor and Baritone Saxes, Clarinet and Flutes. His album Exile was the BBC jazz album of the year in 2003. He has been described by John Lewis on the Guardian as the “hardest-gigging man in British jazz”. His albums, of which he has recorded nine to date, often explore political themes and the music of the Middle East.

Until 1994 he was a producer-arranger for various Israeli Dance & Rock Projects, performing in Europe and the USA playing ethnic music as well as R&R and Jazz.

Coming to the UK in 1994, Atzmon recovered an interest in playing the music of the Middle East, North Africa and Eastern Europe that had been in the back of his mind for years. In 2000 he founded the Orient House Ensemble in London and started re-defining his own roots in the light of his emerging political awareness. Since then the Orient House Ensemble has toured all over the world. The Ensemble includes Eddie Hick on Drums, Yaron Stavi on Bass and Frank Harrison on piano & electronics.

Also, being a prolific writer, Atzmon’s essays are widely published. His novels ‘Guide to the perplexed’ and ‘My One And Only Love’ have been translated into 24 languages.

Gilad Atzmon is a regular columnist for Veracity Voice

Visit his web site at http://www.gilad.co.uk


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