The Wannsee Conference – Truth And Myth
February 1, 2012
Last week, as Jewish Lobbies continue to invest enormous efforts in dictating and imposinga rigid and unquestionable Holocaust narrative, Israeli Haaretz published a short, succinct and courageous report challenging the validity of the Wannsee Conference as proof of the Nazi ‘final solution’.
Just ahead of Holocaust Memorial Day, the Israeli paper reported that Dr. Norbert Kampe (63), director of the “Wannsee Conference” Memorial Centre in Berlin, has challenged some of the most widely-accepted historical ‘facts’ associated with the conference and its meaning.
Jewish Holocaust scholars have always insisted that the master plan for the Nazi Judeocide was conceived at the Wannsee Conference but Dr. Kampe is quoted as saying that the conference dealt only with “operational matters” instead of being a platform of any form of “decision making”. To prove his point, Kampe pointed to the fact that Hitler and his ministers were not present at the conference. Furthermore, he says, “At the time, January 1942, there was no organized plan for extermination camps.”
And yet, Haaretz admits, “Make no mistake. Kampe is not anti-Semitic. Certainly not a Holocaust denier. On the contrary. As expected of a professional historian, he studied countless relevant texts, documents and testimonies on the particular event…His conclusion is the direct outcome of an educated analysis of written material in his possession.”
So courageously, a Hebrew paper praises Kampe and his “fascinating historical lesson” and also acknowledges that the Israeli Ministry of Education lacks the capacity to engage in any form of informed Holocaust debate. Haaretz clearly admits that
“to this day no one knows with complete certainty and confidence what exactly happened on 20 January 1942, in this pretty villa in the wealthy suburb of Berlin.”
Only one copy of the Wansee Conference protocol, found in 1947, survived the war, others having been deliberately destroyed by the Nazis in an effort to conceal evidence. This protocol is the only authentic documentation as to what happened in Wannsee and one of the few that made explicit use of the term “final solution”. However, Haaretz concedes that, like any historical document, the Wannsee document should be read carefully. The words “death” or “murder” do not appear in the conference protocol. Instead, it refers to “natural diminution”, “appropriate treatment”, “other solution options” and “different forms of solutions.” In fact, the only explicit references in the document deal with deportation rather than extermination. Even the famous table attached to the protocol that counts the Jews in each occupied country, does not state that those Jews are destined to be destroyed.
Just a few days ahead of Holocaust Memorial Day, a Hebrew paper found the courage to admit that “decades of Holocaust research could not find a clear and explicit command made by high-level Nazi officials to engage in systematic mass extermination of Jews.”
According to the Israeli paper, the Nazis disguised their true intentions in some “ambiguous orders and “secret codes”, which were supposed to lead officers to interpret and to react upon what they believed to be Hitler’s will.
The moral here is simple. Once again we learn that some Israelis are far ahead of the Western press and academia in their criticism of Jewish ideology in general and the Zionist Holocaust narrative in particular.
Gilad Atzmon was born in Israel in 1963 and had his musical training at the Rubin Academy of Music, Jerusalem (Composition and Jazz). As a multi-instrumentalist he plays Soprano, Alto, Tenor and Baritone Saxes, Clarinet and Flutes. His album Exile was the BBC jazz album of the year in 2003. He has been described by John Lewis on the Guardian as the “hardest-gigging man in British jazz”. His albums, of which he has recorded nine to date, often explore political themes and the music of the Middle East.
Until 1994 he was a producer-arranger for various Israeli Dance & Rock Projects, performing in Europe and the USA playing ethnic music as well as R&R and Jazz.
Coming to the UK in 1994, Atzmon recovered an interest in playing the music of the Middle East, North Africa and Eastern Europe that had been in the back of his mind for years. In 2000 he founded the Orient House Ensemble in London and started re-defining his own roots in the light of his emerging political awareness. Since then the Orient House Ensemble has toured all over the world. The Ensemble includes Eddie Hick on Drums, Yaron Stavi on Bass and Frank Harrison on piano & electronics.
Also, being a prolific writer, Atzmon’s essays are widely published. His novels ‘Guide to the perplexed’ and ‘My One And Only Love’ have been translated into 24 languages.
Gilad Atzmon is a regular columnist for Veracity Voice
Visit his web site at http://www.gilad.co.uk
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