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Christina Aguilera’s “Not Myself Tonight”: More Illuminati Music

August 1, 2010

From: The Vigilant Citizen…

Christina Aguilera’s new album and video introduces fans to a definite style change. The singer now clearly fits the mold of the occult music industry by  incorporating its themes and symbolism into her art. We will look at the hidden meaning of her video “Not Myself Tonight” to and we’ll see how her new album relates with the rest of the music industry.

I’ve always considered Christina Aguilera to be a notch above most pop singers due to the fact that she could actually sing. However,  in order to continue with her success, it was only a matter of time before she ended up in the same place as the other pop stars in the market today. Everything about her new album is heavily tainted with the Illuminati agenda, and the first single Not Myself Tonight acts as an initiation piece. It contains many elements seen in other videos discussed on The Vigilant Citizen, which probably explains the number of e-mails I’ve received regarding it. Some observers have accused Not Myself Tonight of copying Lady Gaga’s Bad Romance. We will see that this plagiarism is, in fact, Christina only following the trend forced on pop stars.

Warning: Parts of this article might be disturbing for some.

From Christina to Xtina

Christina was first discovered by Disney, a company that has specialized in recruiting kids who then progressively become sex bombs as the years go by (Miley Cyrus is next).  Christina was part of a particularly prolific edition of the Mickey Mouse Club.

Christina used her great talent to make her way into the pop scene with the 1999 album Christina Aguilera, with a clean “innocent teen” look. Everything changed in 2002-2003 with the release of the album Stripped. In a very symbolic performance during the 2003 MTV Video Music Awards, Christina is “consecrated” by the Kabbalistic Grand Priestess Madonna. This highly publicized event deserves a second look.

2003 VMA Perfomance

Taking place on a Masonic checkerboard-patterned floor, this symbolic performance is the ritualistic initiation of Britney Spears and Christina Aguilera into the occult music business. The ceremony starts with Britney and Christina making their way down a pyramid-shaped cake singing Madonna’s Like a Virgin. The song choice is very significant as it describes the young singers’ purity and innocence before the ceremony. This is also reinforced by their white gowns. Then the Priestess comes out, wearing a black tuxedo and a Masonic top hat.

She sings Hollywood, a song about the city symbolizing the entertainment establishment, the gateway to super-stardom. Madonna is a representative of the occult industry and welcomes Britney and Christina into it. She sings:

Everybody comes to Hollywood
They wanna make it in the neighborhood
They like the smell of it in Hollywood
How could it hurt you when it looks so good?
Shine your light now
This time it’s got to be good
You get it right now
Cause you’re in Hollywood

The entire performance puts into light Madonna’s domination and superiority over the singers. She ultimately passes on the torch to the two singers with a symbolic kiss.

They should maybe bear in mind this verse from the song Hollywood:

I lost my memory in Hollywood
I’ve had a million visions bad and good
There’s something in the air in Hollywood
I tried to leave it but I never could

Following in the footsteps of Madonna, Christina and Britney then appeared to dabble with Kabbalah, though only a “Hollywood” brand of Kabbalah, as tattoos are not permitted in its sacred scriptures.

Left is Britney’s tattoo of the Hebrew letters Mem-Hey-Shin, one of the 72 names of God. This one represents “healing”. Right is Christina’s tattoo of the Hebrew characters Yud and Bet, apparently dedicated to her husband Jordan Bratman.

In the years that followed, Christina took the apparently obligatory “sexualization” path of Illuminati idols and also appeared in works associated with black magic and mind control.

New Christina

Black magic photo shoot complete with ritualistic pentagram and discarded dolls
Dehumanization and alter persona symbolized by the mannequin

Her latest effort completely embraces today’s Illuminati agenda by exploiting the theme of transhumanism (explained in this article). The album title “Bi-on-ic” and the cover art is truly about the merger of man and robot. Christina’s head is portrayed as a programmable mechanism, a concept relating to mind control. “Bi-On-Ic” also apparently means “bisexual on ice”, ice being the slang word for methamphetamine. So, when she is under the influence of this powerful drug, she becomes bisexual. Knowing that methamphetamine is extensively used on mind control victims, especially in sexual programming, the album title is rather disturbing.

Christina as a programmable robot (reference to mind control) and the now inevitable focus on one eye

More One Eye Symbolism

As seen in many other articles, almost all pop artists taking on Illuminati themes in their art almost always flash the “one eye sign” in their videos or photo shoots. Christina is not an exception.

Concept of Not Myself Tonight

Not Myself Tonight has been accused of copying Lady Gaga’s Bad Romance. Although the videos were produced by two different directors (Francis Lawrence for Gaga and Hype Williams for Christina), they both exploit similar themes, which are also common in many other pop music videos. Although it is easy to say “the bitch copied Gaga!”, this statement does not take into consideration the bigger picture of the music industry. The same themes are expected and required to be prevalent in today’s hits. The industry defines its own trends and in order to be successful, artists must follow these trends and communicate the same messages. Not Myself Tonight is simply a continuation of the Illuminati agenda through another artist, and therefore exploits its trademark themes such as mind control, transhumanism, occult initiation and so forth. Here’s the video.

The subject of the song is Christina being “not herself tonight” which is, at face value, her wanting to go out and go crazy, “kissing the boys and the girls.” However, the imagery and symbolism of the video adds another level of interpretation to the song that refers to mind control, occult initiation and alter personalities. The theme of being “out of character” and not controlling one’s actions is often portrayed in recent videos and is associated, through symbolism, to Monarch programming or supernatural “possession.” This is often symbolically represented by the classic “devil horns” as seen on the promo image of her single.

As said earlier, she is just following the trend set by the industry.

Monarch programming is a mind-control method based on the creation of an alternate persona through the usage of torture and ritual abuse. Some authors on the subject, such as Ron Patton, have mentioned that Monarch programming utilizes ancient occult techniques reminiscent of spirit possession. The lyrics of the song reflect the creation of a new persona:

“I’m out of character, I’m in rare form
And if you really knew me, you’d know its not the norm

Cos I’m doing things that I normally won’t do
The old me is gone
, I feel brand new
And if you don’t like it, fuck you”

As we will see later, the symbolism of the video is based on initiation and on the creation of an alter personality, which is expressed lyrically The old me is gone, I feel brand new. The theme of being a crazier/wilder/sexier self is often portrayed in recent videos and is almost always coupled with scenes of restraint, dehumanization and/or torture. This is an obvious case of cognitive dissonance, where the portrayal of torture is a part of one’s “liberation.” In Not Myself Tonight, Christina is seen hog-tied with her eyes forced opened, which is reminiscent of mind control victims being forced to watch videos to reinforce their programming.

This practice is depicted in the mind-control themed Clockwork Orange by Stanley Kubrick.

Screen shot from Clockwork Orange where Alex is forced to watch ultra-violent scenes as part of his reprogramming.

Sex Kitten Programming

The first part of the video is heavily tainted with references to mind control and, more precisely, Sex Kitten programming. This trend is becoming increasingly common in the music and fashion industry.

BETA. Referred to as “sexual” programming. This programming eliminates all learned moral convictions and stimulates the primitive sexual instinct, devoid of inhibitions. “Cat” alters may come out at this level.
-Ron Patton, Project Monarch

In mind control, Beta programming, also known as Sex Kitten programming creates in the dissociative victim an alter-personality that is a programmed to be sex slave.

“The mind will begin to dissociate, and will begin to reverse the primordial brain functions such as pain is pleasure. The person’s mind rearranges. This is often done with Beta alters or Beta models to get them to think that the pain of sadistic rape is a pleasure. After this reversal in the mind that “PAIN IS LOVE”, the S&M kitten alters will beg their handler to slap them, tie them up, hurt them, etc.”
- Cisco Wheeler and Fritz Springmeier, The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave

Some references to sex kitten programming are peppered throughout the video.

The creation of alter personalities is represented in the video with Christina being surrounded by  look-a-likes. She plays the role of the mind-control handler herself.

BDSM, submission and alter personalities portrayed in this “tribute” to Madonna’s Express Yourself

Ritual Initiation

The second part of the video essentially describes Xtina’s “initiation” through ritual sex. Some symbolic scenes tell this story.

Halfway through the song, Christina is dressed in black with masculine features and standing between two pseudo-masonic pillars.

This scene is similar to the VMA performance referenced above, where Madonna played the master of ceremonies. Christina plays the same role in this scene. She is standing on top of stairs, near a mysterious gateway, symbolizing her high rank within the “inner-hierarchy”. Her monocle covers one eye which refers to the Illuminati power structure. The master of ceremonies kicks off the ritual initiation of Xtina, the Sex Kitten.

In the following scene, Xtina is shown entering a doorway, symbolizing the “passing through the gates” of her initiation.

Xtina is then shown putting fire to her clothes, indicating that she is destroying her old self and embracing the new Xtina alter persona.

The initiation is then sealed and consummated by nothing less than an orgy inside a church.

The scene in the church gives spiritual connotation to the initiation. An orgy in a place that is considered sacred is a form of desecration that  is reminiscent of black magic rituals. The video is not simply about a girl wanting to “go crazy,” it is about an initiation into the “dark side.”

To further portray the completion of the initiation of this mind control slave, Xtina is shown covering herself with “black milk” or maybe black semen.

“Sexual abuse [...]  is more powerful when it is put into the context of demonic magic. The abuser’s semen is magic and seals the programming. The ritual aspect of it, and the repetitive nature of the abuse creates several dynamics that accompany the abuse that wouldn’t occur in non-ritual abuse.”
- Cisco Wheeler and Fritz Springmeier, The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave

In Conclusion

Although Christina Aguilera’s new work was accused of plagiarism by some pop culture observers, they fail to realize that she is simply following the agenda forced on pop stars. The standardization of the music industry has resulted in different artists exploiting the same symbolism, themes and aesthetics. Superficial differences define each artist, but the content and message of their music stay the same. If some articles on this site appear redundant, it is because of the clear redundancy of the messages communicated by the music industry through the products it promotes. This repetition is an important clue to identify the existence of a alternative agenda in the industry.

The complete transformation of Christina Aguilera for the Bionic album, and her embrace of ALL of the themes discussed in previous articles (including the “one-eye thing”) should send you a clear message. There is an agenda in the music industry and one must fit the mold in order to get promoted as a star. This does not guarantee worldwide success, but it is the only way to get the industry approval needed to obtain it.


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  • Seeker17

    The Illuminati are a secret society who control nearly all world
    civilization (control is total in North America, Western Europe, and
    Japan – incomplete but still decisive in the rest of the world). Though
    “Illuminati” is the term by which they have allowed themselves to be
    known since Weishaupt in the 18th century, they do not use that term
    themselves. They have existed for thousands of years and are the
    spiritual and political descendants of a secret caste of ancient
    Indo-European shamans. They use techniques originating with those
    ancient shamans as part of a system in which they manipulate society
    towards their own long term goals.

    The central “Illuminati” goal is to exert such decisive control over
    the planet that they can implement a program of global depopulation and
    return to a system of government based on the ancient Indo-European
    matriarchy and perverse pharmacologically-abetted sex magick involving
    depraved group sex rituals of a BDSM nature.

    Once they have achieved the above goal, the “Illuminati” will be able
    to rule the planet without artifice, but until that time, they have
    remained in the shadows while following a long term plan in which they
    reveal themselves gradually – allowing the public to become ever more
    aware of their existence over the past 300 years. This gradual
    revelation is a form of “teasing” the public psyche – a taunting of
    humanity. This taunting serves several practical purposes as it
    destabilizes a confused populace and also agitates individual humans in a
    way that makes them neurologically predisposed to accept “programming”
    through which their perceptions and actions are shaped. This programming
    was long accomplished through complicated reiterations of symbols and
    social rituals (songs, children’s games, etc) and was only effective to a
    degree. However in the last century, their technology has advanced to
    the point where the symbols are only used as part of the taunting
    process, whereas the actual control programming is accomplished through
    very advanced technology.

    This technology (decades in advance of what is known to the general
    public) permits the Illuminati to encode hidden signals in all forms of
    popular culture including music, video/film. and web pages. These
    signals are capable not merely of controlling subjects made vulnerable
    through pre-preparation, but are even able to completely replace the
    reality experienced by individuals. They can literally replace
    everything experienced by the human sensory system to the point where
    subject is unaware of his/her actual identity (including gender),
    location, and actions. A person reading this for example, who believes
    himself to be a 20 year old college student in Atlanta, may in fact be a
    48 year old woman being used for sex rituals in an Illuminati gulag.
    For a simple understanding of the depth of what they have achieved the
    layperson may view the film “The Matrix”. While Illuminati reality
    replacement is far from universal, it is extremely common and becoming
    more common by the day.

    This extensive system of reality replacement and the much more common
    remote Monarch latah programming are used to turn unsuspecting people
    into literal puppets doing the depraved bidding of the Illuminati. They
    use Monarch puppets for tasks ranging from the mundane to the murderous
    to the perverse. The “elite” of the entertainment industry in particular
    are selected and promoted to their positions of fame based on their
    sexual desirability. These celebrities are used to “scene” or taunt the
    public through their blending of sexual provocation and symbol
    bombardment, but they are also on call as sex slaves for their masters –
    for whom these sex rituals are central to their belief system and the
    system they believe gives them power.

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